EVALUATION - Final Evaluation Video

EVALUATION - FINAL FILM

EVALUATION - Magazine Front Cover

EVALUATION - Teaser Trailer First Cut

EVALUATION - Poster

PRODUCTION - Montage Editing

For my teaser trailer I will be using Montage editing, this is because I want my trailer to be fast paced and the shots to quickly change. It is defined as "the juxtaposition of such successive shots as a cinematic technique whereas continuity a style of editing marked by its emphasis on maintaining a continuous and seemingly uninterrupted flow of action".

As my trailer is of a party scene, I want the pace of the trailer to be fast. I can achieve this with quick cuts via montage editing.

PRODUCTION - Poster Production Time Line

This shows the process I went through of colouring in the people in the photo. We got a number of people round my house. We then staged a party, with two of the main characters at the front of the poster. After this I edited them and turned them into colour, mainly using the colour replacement tool.

PRODUCTION - Title Sequences

PRODUCTION - Special Effects (Vomiting Scene)

Our film won't need many special effects. However, the one scene that needed it we decided to film first. The only special effect we needed was the vomiting scene. To do this we needed to use an empty milk carton, gaffer tape and a washing machine hose. We then blended up random foods and poured them into the milk carton. Once in the milk carton we gaffer taped the milk carton to his side, whilst the washing machine hose led from the carton to his mouth. Once this was in place, we started filming. The actor bent over whilst making sick noises and squeezed the milk carton. This then made the blended up mixture pour through the hose and out the end. From the side this actually appears as if the actor is throwing up.

Learn How to make cheap vomit effects. For more Props & SFX How-To Videos & Articles, visit WonderHowTo.

PLANNING - Music Rights

We were given permission by EMI records to use 'Blur - Girls and Boys' in our teaser trailer as it was for educational purposes, however, the emails between us and EMI are confidential. Therefore, they cannot be shown on my blog, however, our teacher can confirm we have permission.

PLANNING - Title Sequence

Last year I used LiveType for my title sequence. However, I believe the choice of effects was very limited so I went for another program. I decided to use Adobe After Effects CS3. This allows me to do much more realistic effects, as well as it being easier to use.

The title sequence will start with the production logos. Both of these will have simple of effects on them. Just to have them appear on screen in a unique way and it will have to hold for a few seconds.

The second to last title sequence will be the title of the film. This will be more unique then all other credits shown. This is because this is the title of the film which people will have to remember. The idea is to make sure it sticks in their mind. Therefore, we will use the same effect for the text to appear on screen. However, we will use some sort of energy effect behind it.

Finally, the last title will be the words 'Coming Soon'. This will have the same effect as the production logos.

We will wait till after we have all the footage before we use any other titles in the middle of the teaser trailer.

PLANNING - Location Photos

PLANNING - Poster Ideas

I was lucky enough this summer to work at Channel 4 as part of my work experience. I worked in the 4 creative department which make the posters for the shows. Whilst I was there my first task was to go on the website and look at there past works. From this I gained inspiration.

As we can see in this picture of glee, the people have been photoshopped to make them look more colourful. I liked this effect as it made them stand out more. Also whilst at channel 4 I was there when they were making the 'This is England '80' posters. I found out they made grayscales of each picture. From this I thought maybe from the grayscale they coloured in each individual person, so this is what I plan to do.

Also many films these days make character posters for the film. This is what me and my partner want to do, we will make a character poster each.

We feel that doing this will be more original and different to most posters, so will go for this idea.

PLANNING - Location

We have chosen to set our teaser trailers in two different locations. However both locations have similar layouts and are in similar areas. They are both in Wimbledon, thus its easy to travel from one location to another. It also allows us the freedom to film in more words, obviously this will have to take into account good editing on our behalves, but we believe that this can be achieved. Below are pictures of the settings and letters to the owners of the house to gain permission.

PLANNING - Title and Font Focus Group

We were unsure of the title of the film and the font we should use. So we managed to organise a focus group of 70 people form our target audience. Firstly, we asked what they think the title of the film should be. The results are as follows:

From this graph we can see clearly that the favourite title was 'Boys & Girls'. After this was decided we designed the word in many different fonts. We then asked the same focus group what they thought was the best font. Here are the results:

We can see clearly form the second set of results, that the favoured font was font A).

PLANNING - Music

I have looked at a similar trailer that is going to be part of our inspiration and it is clear that the music complements whats on screen and should make it clear that the trailer is more modern. It should have clubbing connotations. This is because clubbing songs are more associated with dancing. Also the synth and other more dance music instruments i.e. a Kaos Pad, are closely linked to the 21st century. Bands that have inspired us have included, Magnetic Man, Justice, Crystal Castles.

PLANNING - Casting

I held auditions at my house and invited a number of people to it. I either gave them actions to do or lines to say. From the auditions I decided who would be more of a main focus and who would be an extra. The cast includes:

- Adam Worsley: Kissing boy

- Hannah Arnold: Kissing girl

- James Ross-Dreher: Sick boy

- Izzie Cheeseman: Party Girl (On poster)

- Hannah Tebbutt: Party Girl (On poster)

PLANNING - Outfits

The outfits will be based on modern styles. Most of the actors in the film have clothes I am happy with, however I will help pick out what they wear. This is a good piece of mise-en-scene which shall prove effective in making the teaser look more authentic. I have looked at many websites including www.topman.com and www.topshop.com for inspiration, as well as looking at famous teenagers for more inspiration.

PLANNING - Film concepts

Our film is about the lives of adolescents living in England. Obviously it is a dramatisation for entertainment purposes. It has proved popular in TV drama recently, so this is an attempt to adapt this genre onto the big screen. Recent successful examples have been Misfits, Inbetweeners and Skins. The teaser trailer isn't meant to give much away about the film so none of the plot is given away during it. The teaser trailer will be a party with a lot of quick editing between each shots. The teaser will require a minimum of 10 different cast members to make the party seem more authentic.

PLANNING - Production Logo

My production logo background appears to be a 'fuzzy' TV screen. This has connotations of the film industry which is why I used this. Like all the other production logos I have looked at, the writing is clear to see and is in a basic font. This is what I have gone for. Hopefully with the TV background and the writing it is clear that this is a production logo.

PLANNING - Storyboard Animatic

PLANNING - Storyboard

PLANNING - Mock Magazine Final

This is my final mock magazine. When it comes to my real

magazine I will obviously change the main picture and the

wording of the mastheads.

As we can see the magazine has a Z pattern along the main masthead, diagonally across the main picture and back across the bottom cover lines.

I have drew inspiration from other film magazines with the layout and the red masthead. This helped me make it look more professional. I have followed typical conventions for example, it has a masthead, cover lines, a pug, an exclusive and a main picture.

We can see that I have taken into account what the focus group has said as I have reworded my cover lines, changed the strokes and changed the pug to make it look more authentic.

My masthead is very big, bold and basic. This is so it stands out and is easy to read. It has to be easy to read as it is the title of the magazine and people need to know what they are reading. The title 'Popcorn' has film connotations too, this complemented with the main image and cover lines should make it obvious to readers that the magazine is about movies. The masthead is also in red which contrasts the background which also adds to it standing out.

All my cover lines stand out and are spread across the page to fit the Z pattern. This is so that it follows the standard eye line and people can easily read whats inside the magazine. This is to attract the reader. Each cover line has a stroke to make it stand out even more. I also have an exclusive at the top of the screen; this means that only this magazine has that information to make it different from any other magazine. It is above the masthead to prove how important it is. There is a pug on the magazine in the form of a peeling sticker, this is if its coming off the page. This is a design feature to make it more eye catching, it also contains information that will make the magazine more appealing. I have also used typical magazine conventions by putting the date and price of the magazine underneath the masthead. However I decided against a tag line as there is no space plus it is obvious that my magazine is about films.

Finally my image takes up most of the magazine front page and is in the centre so the attention is directed at it. There is no background image, this makes it stand out even more. However I didn't want to leave it bare so I added a gradient to it.

PLANNING - Mock Magazine Focus Group

I formed a focus group among 13 of my peers. I wanted them to look at a basic magazine cover I had made and give me advice on it. These are the comments they came up with:

- Needs a tag line

- Pug looks tacky

- Change font

- Reword mastheads

- Change colour and thickness of strokes

- Bar code is too big

- Move masthead higher

RESEARCH - Target Audience

According to the VALS I believe our target audience is Actualizers and Strivers. They are both similar and the main aspect of their characteristics which is appropriate to our trailer is their youth. They also like their independence and like to be different, which is similar of the characteristics of the characters in our show.

From the LifeMatrix our target audience us the tribe wired fun/actics, again cos of their youth but also because of their activeness and free spirit.

RESEARCH - Media Theory

Cultivation Theory - This means that the effect grows on the world gradually and multiplies even if you don't watch TV. As most people in the world watch TV, it suggests some are bound to be effected by this. Then they will act 'effected' socially around other people, which means they will be effected and then the process will never stop.

David Gauntlett

Key Idea: He suggests that the original way of teaching media fails to recognise the changing media landscape. This idea is called Media 2.0. He also dismisses the effects theory and has made 10 points to deal with why society aren't directly effected by television.

Most Important Article: 2007, media 2.0

Quote: 'its all about how we gather and develop knowledge about the social world: the very heart of social science'

My comment: He's right, media is a subject that is constantly changing and with change we need new ideas to counteract the progression of the industry.

Dafna Lemish

Key Idea: That children are effected by western culture through the television. However there are many reasons for this, the main one being globalisation.

Most Important Book: Journal of Children and Media

My comment: I agree with her to an extent, that children usually go with the crowd and will be effected by what they like. However they are not as ignorant as they are percieved in the effects theory, and that I still think they know the balance between right and wrong.

RESEARCH - Propps Narrative Theory

Villain - Frank D'Amico

Donor - Big Daddy

Helper - Big Daddy

Princess - Katie

Dispatcher - Red mist

Hero - Hit Girl

False Hero - Kick-Ass

RESEARCH - Moral Panic - Sex Trafficking

There has been a lot of panic about the growing spread of sex trafficking. Political and pressure groups have been calling for investigations into this issue, they have presented facts detailing the depth of this problem. However, where did they get these facts from?

Newspapers reported that 'hundreds' of mail order wives were being shipped form Albania to the UK. However, is this sex trafficking? These women have come on their own accord and decided to marry these men. They also stated that women who were mail ordered within the same country were being sex trafficked. Another example of a slippery slope is the announcement that the true scale of the problem was between 2 and 20 times that was previously confirmed. The difference between these two numbers is huge and vague. Therefore, they don't have any idea. Also, a group called CHASTE claimed 1,420 women were being sex trafficked, this figure was then quoted in newspapers. In the end the figure turned out to be a lie. Finally, this group also announced that every foreign woman in Soho and every foreign woman in the UK was a victim of sex trafficking. This too, was a completely false, stereotypical assumption.

Therefore, this panic was spread through lies and assumptions.

RESEARCH - UK Privacy Law

1990

The case involved Gorden Kaye, a well known actor who suffered life threatening injuries in a car accident. Kaye attempted to obtain an order to restrain publication of photographs of the injuries he suffered in the crash. These photographs were obtained by deception when a tabloid journalist entered the hospital while he was undergoing treatment.

A friend of Mr Kaye had been granted an interlocutory injunction preventing the editor (Anthony Robertson) and the newspaper (the Sunday Sport) from using the material, which they appealed.

Lord Justice Glidewell said "It is well-known that in English law there is no right to privacy, and accordingly there is no right of action for breach of a persons privacy. The facts of the present case are a graphic illustration of the desirability of Parliament considering whether and in what circumstances statutory provision can be made to protect the privacy of individuals."

In the absence of the right to privacy, Mr Kaye's advisers based their claim on libel, malicious falsehood, trespass to the person and passing off. The Court of Appeal ruled that none of these torts was applicable except malicious falsehood, and on this basis the only remedy available was that the newspaper was prohibited from stating any inference that Mr Kaye had consented to the story.

The academic response to this ruling has been negative, e.g. "Kaye remains a compelling demonstration of the limits of both existing English law and of the limitations of an approach that relies upon inadequate existing remedies to protect privacy."

1998-2000

The Human Rights Act 1998 is an Act of Parliament of the United Kingdom which received Royal Assent on 9 November 1998, and mostly came into force on 2 October 2000. Its aim is to "give further effect" in UK law to the rights contained in the European Convention on Human Rights. The Act makes available in UK courts a remedy for breach of a Convention right, without the need to go to the European Court of Human Rights in Strasbourg. It also totally abolished the death penalty in UK law (although this was not required by the Convention in force for the UK at that time)

2008

In 2008 the editor of the Daily Mail criticised the Human Rights Act for allowing, in effect, a right to privacy at English law despite the fact that Parliament has not passed such legislation. Paul Dacre was in fact referring to the indirect horizontal effect of the Human Rights Act on the doctrine ofbreach of confidence which has moved English law closer towards a common law right to privacy.In response the Lord Chancellor Lord Falconer stated that the Human Rights Act had been passed by Parliament, that people's private lives needed protection and that the judge in the case had interpreted relevant authorities correctly

2011

It has become apparent that many rich and powerful people are taking out injunctions or super injunctions. This has raised the argument, do the public have a right to know, or do the celebrities have a right to privacy.

RESEARCH - Roland Barthes

The Hermeneutic Code (HER)
The Hermeneutic Code refers to any element of the story that is not fully explained and hence becomes a mystery to the reader.
The full truth is often avoided, for example in:
Snares: deliberately avoiding the truth.
Equivocations: partial or incomplete answers.
Jammings: openly acknowledge that there is no answer to a problem.
The purpose of the author in this is typically to keep the audience guessing, arresting the enigma, until the final scenes when all is revealed and all loose ends are tied off and closure is achieved.
The Proairetic Code (ACT)
The Proairetic Code also builds tension, referring to any other action or event that indicates something else is going to happen, and which hence gets the reader guessing as to what will happen next.
The Hermeneutic and Proairetic Codes work as a pair to develop the story's tensions and keep the reader interested. Barthes described them as:
"...dependent on ... two sequential codes: the revelation of truth and the coordination of the actions represented: there is the same constraint in the gradual order of melody and in the equally gradual order of the narrative sequence."
The Semantic Code (SEM)
This code refers to connotation within the story that gives additional meaning over the basic denotative meaning of the word.
It is by the use of extended meaning that can be applied to words that authors can paint rich pictures with relatively limited text and the way they do this is a common indication of their writing skills.
The Symbolic Code (SYM)
This is very similar to the Semantic Code, but acts at a wider level, organizing semantic meanings into broader and deeper sets of meaning.
This is typically done in the use of antithesis, where new meaning arises out of opposing and conflict ideas.
The Cultural Code (REF)
This code refers to anything that is founded on some kind of canonical works that cannot be challenged and is assumed to be a foundation for truth.
Typically this involves either science or religion, although other canons such as magical truths may be used in fantasy stories. The Gnomic Codeis a cultural code that particularly refers to sayings, proverbs, clichés and other common meaning-giving word sets.

RESEARCH - Certificate

My film would contain nudity, which may not be such a big deal in modern society, so wouldn't effect the certificate too much. However it will be used in a sexual nature more likely. Also my film would contain drug use, this is okay but still prohibited. It is not allowed to promote or encourage it however. According the BBFC guidelines, my film is most likely to be a 15.

These are the following BBFC 15 rating guidelines:

Suitable only for 15 years and over

No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

Discrimination

The work as a whole must not endorse discriminatory language or behaviour.

Drugs

Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

Horror

Strong threat and menace are permitted unless sadistic or sexualised.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.

Language

There may be frequent use of strong language (for example, ‘fuck’). The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.

Nudity

Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.

Sex

Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

Theme

No theme is prohibited, provided the treatment is appropriate for 15 year olds.

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

RESEARCH - Production Logo Examples

RESEARCH - Analysis of a Teaser Trailer (Editing)

The titles during the Inception trailer appear to be coming towards the screen. This complements the sound and makes it seem as though something big is happening. It also relies on the reputation of the words on the screen. As they are meant to be enticing the viewer, so them words are meant to be of interest to them. For example the word 'Leonardo DiCaprio' on screen is meant to interest Leonardo DiCaprio fans.

The next set of titles have been used along with CGI. It is tilted on its axis as if gravity isn't present. This may have something to do with the plot of the film. Also again complemented with the sound, it builds up more tension as it is moving at high speed.

The trailer ends with more CGI and it appears the word Inception is made out of buildings. Again this is an aspect of the film. This is clearly there to mainly tell you the title of the film.

RESEARCH - Analysis of a Teaser Trailer (Sound)

The trailers music was composed by a different person to the composer of the actual film. Zack Hemsey is a specialist at orchestrating music for trailers, therefore the music was made specially for them images and complements them very well. I believe the music is the most effective aspect to the trailer. It builds up the suspense greatly and leaves the viewer very confused and wanting more. The speed of the sound gradually gets faster, as well as its volume. This is when it builds on tension at its best. It does this before it finally ends towards the finale of the trailer.

RESEARCH - Analysis of a Teaser Trailer (Camera Angles and Movement)

The main camera angle used throughout the teaser trailer is a close up. It is used to focus on unique features of the film. First of all the camera focus' on a weird object spinning. The shots may mean nothing to the viewer, however it is complemented well with the music to make it seem or more importance. This is the same for all the other shots.

The next shot is a close up of Leonardo DiCaprio's face. He is a big actor so this alone is a great selling point. This is a reaction shot, we can see that he looks uneasy. This builds up even more tension. The main unique selling point of the film is its gravity defying effects. The next two shots after are also like this. It is a close up of a glass of water, however the water moves as if there is no gravity. This would be very strange to the viewer and intrigue them even more.

There is another close up shot of Leonardo DiCaprio. It is also a reaction shot, this confirms him as the protagonist in the film. He is a big actor, and this is one thing that is given away. Nothing much else about the characters or storyline is given away in the trailer.

As the music gets faster, so does the cut the next shot. There are many quick close ups of slow motion, gravity defying action scenes. This will draw the viewer in as it is very unique, and will interest the films main target audience. After the quick action shot, there is a shot of someone jumping out of water. This increases the confusion, hopefully leaving the viewer aching for more.

The trailer ends with another close up, reaction shot of the main protagonist. It shows him waking up, as if everything that has happened in the trailer so far was in a dream?